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Born in 1968 in Argentina, Ricardo Mamood dreams to become an actor since
he played in is first play at 5.
After started acting and theatre studies
since he was 15, Ricardo has finally the chance to get a part in Gen Y Cops.
This movie give him the opportuny to be notice and since then we were able
to see him in movie such as So Close or Summer Breeze of Love and soon in the new
Jackie Chan's Movie : The Medallion.
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1. How did you start in the movie business ?
I started acting since I was 5. Most of my training and experience was on
stage. Film came later, only a few years ago. The turning point for me was
in the year 2000 with Gen Y Cops since this was a major budget production
and from then on I had the opportunity to work on very interesting projects
as well as sizable TV commercial campaigns.
2. What do you think of the use of foreign actor in the Hong Kong cinema ?
Foreign actors are not used enough, or misused. For several reasons. The
first one is the fact that stories, scripts do not contemplated a
significant presence of foreign looking characters. There is still a very
closed-up approach when it comes down to storytelling in Hong Kong. Their
presence ranges from extras to small supporting roles. I wish the local
industry would contemplate this a bit more and the fact that this town is
very cosmopolitan, just take a look at it. So, you have a few talented and
trained foreign actors in town but not many.
Then you have a lot of people
that is scouted on the streets but with no training whatsoever and
unfortunately then you see the final product on the screen and it sucks.
It's a waste. This doesn't encourage talented or trained foreign actors to
stay or come to work here but hopefully it will change in the future. When
you look at this you need to separate martial artists with acting abilities
and seriously trained dramatic actors. It's even more difficult for the
latter ones to land juicy roles simply 'cause dramatic roles for foreign
actors are non-existent, not yet. And these are type of actors that are
trying to do something different in a town where everyone dreams about
becoming Bruce Lee and then again most dramatic projects focus of course on
very local stories.
3. You've worked with some of the best martial artist from Hong Kong. I'm
thinking about people like Sammo Hung, Jackie Chan, Donnie Yen or Corey
Yuen. What memories do you keep from these collaborations ?
Though traditional boxing is a martial art and I have done it for many
years, I don't consider myself a martial artist. So, I can see my work from
just an actor's standpoint. Working with Corey Yuen in "So Close" was a good
experience. He is a kind and very professional individual. Too bad 70% of my
work in that movie ended up in the editing room's floor, it happens, but it
was a good experience. Working with Christopher Doyle was a lot fun too.
My
scene with Mr. Chan in The Medallion was a great funny scene where I had the
chance to do my own stunts. You will be probably be able to see it in the
deleted scenes on the DVD. He is very focus and very professional on what he
does, but I am not saying anything you don't know already. One of the most
rewarding experiences for me was working with Taiwanese director Wayne Peng,
doing the Samsung and Cup Noodle commercials. I learned a lot.
4. - In Hong Kong, by which personality have you been the most impressed ?
Christopher Doyle. He a very fine craftsman, a visual alchemist that does
something in a very different fashion that any other in his field.
Particularly in Hong Kong. Another one is Anthony Wong Chau-Sang. I think
he is one of the most talented character actors in Hong Kong and he is
hugely underrated and misused, it's a waste to see him in films that are too
small for his range and he is an actor that can carry a film on his own.
5. In the Glengarry Glen Ross play, you're Richard Roma, this role was
filled by Al Pacino in the film adaptation. Did you use his performence as a model to play your character ?
No, I didn't. You know ? some people actually went as far as making the
mistake to making comparisons, mostly about performance and appearance,
maybe on the fact that I do have a Italian (Sicilian) background, but
believe me the last thing I would dare to do is to compare myself to a Giant
like Mr. Pacino. So no, not at all. Don't get me wrong, I admire and worship
Mr. Pacino. I grew up watching his movies, particularly some of his
performances during the 70's such us Serpico, And Justice For all, Dog Day
Afternoon and in a way he was an inspiration for me to want to become an
actor and a dream come true would be to work in any project of his, but I
don't think comparing or worse, imitating other actor's performance is a
good thing for any actor. Why bothering to act at all if I am going to copy
or emulate another actor's performance, no matter how good that was? I
couldn't be proud of my work if I did.
6. What is the role you are the most proud of ?
Richard Roma. It was a very challenging character to play - in a brilliant
and very complex play by David Mamet - but very rewarding from an actor's
standpoint and a character that would grow larger the more I played it every
night. A very human character, no good or bad, but human and one that took
me sometime to shake off. I miss playing him at lot, I'd love to do it
again.
7. What are your next projects ?
On film is always an unknown. Particularly in Hong Kong. I am though
planning to produce another play on stage. Perhaps my very own which I am
writing at the moment. It's a gulf War drama that I stopped writing sometime
ago 'cause I thought it was not relevant any more, I could not have been
more wrong.
So I went back to it and I'll finish soon. I am also writing a
screenplay - a psychological thriller called "After" - with Anthony Wong in
mind as the lead. We'll see.
8. At last, what would you want to say to our readers ?
First to thank them for their interest in Hong Kong cinema and as a
consequence of that for creating an exposure forum or medium for local and
foreign actors in this town to be known and to have a voice. I think what
you are doing is great and very unique and I thank you for your interest and
this interview. I wish Hk Mania lots of success.
Our warmest thanks go to Ricardo Mamood for answering our questions and to his manager Christian Wong.
- Click
HERE to see his filmography.
Ricardo Mamood in So Close on the left picture, in Gen Y Cops on the right one
Interview by Tavantzis Nicolas (Ryo Saeba), april 2003.
Html version by Cherycok